December 5-14, 2027

TIMELESS CERAMICS WORKSHOP

WITH JOHN COLBECK

This intensive 10-day workshop focuses on form, surface and firing. It is entirely dedicated to the exploration of porcelain — its sensitivity, strength and unique capacity for refinement.

 

Through a combination of demonstrations and individual practice, participants will investigate how to create timeless ceramic forms that embody clarity, balance, and depth.


This is a rare opportunity to learn directly from John Colbeck, one of the most respected figures in contemporary ceramics.

CONCEPT

At the core of this workshop is the idea of timelessness in porcelain: creating objects that move beyond trends through precision, proportion and a deep understanding of the material.

Porcelain demands attention, discipline, and care. Its unforgiving nature becomes a tool for refinement, guiding makers toward essential forms and subtle, controlled surfaces, while exploring subtle contamination processes that introduce variation into the material.

Participants will explore the space between functional vessels and sculptural objects, where simplicity becomes a powerful form of expression.

WHO IS JOHN COLBECK?

John Colbeck is a British ceramic artist, potter and vessel maker. Throughout his career, he has also taught extensively on ceramics degree courses in the United Kingdom and internationally, notably serving for many years as Head of Ceramics at the Bath Academy of Art.

In addition to teaching, Colbeck is the author of several influential books on pottery techniques, including “Pottery: the Technique of Throwing” (1969), “Pottery: Techniques of Decoration” (1983), and “Pottery Materials” (1988), which have been widely used by students and practitioners of ceramics.

His practice focuses on wheel-thrown forms made from stoneware and porcelain. These works are often unglazed on the exterior and carefully polished, emphasizing subtle variations in texture, tone, and material composition. His approach combines technical precision with a strong concern for visual clarity and form, reflecting his belief that ceramics should function as a form of visual communication.

Overall, John Colbeck is recognized both for his refined ceramic objects and for his significant role as an educator and writer, helping shape the understanding and practice of ceramics for generations of artists.

TEACHING APPROACH

The workshop follows a rhythm of daily demonstrations combined with individual studio practice.

Guidance is both technical and conceptual, encouraging participants to develop their own visual language while working within the discipline of porcelain.

With a small group, there is a strong emphasis on individual feedback, allowing each participant to deepen and refine their personal approach.

PROGRAM: KEY THEMES & TECNIQUES

Timeless Form: Vessel & Sculpture

  • Development of pure, essential forms
  • Throwing and altering porcelain with precision
  • Quiet, balanced proportions


Working with Porcelain

  • Understanding its plasticity and limits
  • Structural considerations and drying control
  • Managing warping and fragility


Greenware Refinement

  • Working at the leather-hard stage
  • Trimming, compressing, and polishing surfaces
  • Achieving clarity and sharpness of form


Oxides & Subtle Surface

  • Use of metal oxides to introduce tone and depth
  • Minimal, controlled surface interventions


Glaze Inside / Raw Exterior

  • Functional glazing of interiors
  • Exterior surfaces left unglazed, polished, or softly textured


Greenware firing, bisque firing and wood firing

  • Embracing risk, change, and unexpected results

OUTCOME

Participants will leave with:

  • A body of refined porcelain pieces;
  • Greater control and confidence working with porcelain;
  • Deeper understanding of form, surface and firing;
  • A clearer personal direction within porcelain practice.

materials & supplies

 

  • Porcelain

  • Access to basic studio tools and shared equipment

  • Glazing materials (basic palette) and material for contaminations

  • Kilns and firing material.
  •  
Orton cones at Clay Kitchen Portugal
Clay Kitchen Portugal

studio rules

A common understanding of studio practices is conducive to a creative and productive environment for exchange of skills and ideas.

Education is the primary focus of this studio and safety is a primary concern. Many safety issues are resolved by maintaining a clean studio. Every user is responsible to clean the space(s) they have used.

During the workshop, it is a rule that we support each other and cooperatively fit us into the group.

WHAT THE PROGRAM INCLUDES?

 

  • Daily hands-on work with porcelain
  • Demonstration and informal knowledge sharing 
  • A collaborative and relaxed working environment
  • Open studio time for individual exploration
  • Preparation and participation in woodfiring
  • Collective lunches focused on seasonal and local food
  • Time to rest, reflect and connect with the surrounding landscape

costs & conditions

Tuition: from 3500€ (accomodation and transport are not included)

This includes:

  • Welcome dinner and daily lunches
  • Porcelain and materials
  • Studio access and firings
  • Instruction and demonstrations
  • Full participation in the program.

Each participant is responsible for preparing one shared dinner during the workshop.

Payment

To reserve your spot, a deposit of 1500€ is required (it is non refundable).

The remaining balance must be paid in full no later than 10 days before the start of the workshop. Participants will be contacted 60 days prior with payment details.

Pre-register here

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